Christian Fiction and the Theology of "The Shack"

Posted by in Bible & Theology, IMPACT Features

the-shackIt is possible that I am the very last blogger to weigh in on that very popular book, “The Shack,” by William Young. The questionable theology of the book has been hammered like an 80-mph fastball. A few have line up to defend the book and its author. I would like to attempt to approach the book from a different perspective.

I have loved Christian and fantasy fiction since I first discovered it thirty years ago. I found a copy of Tolkien’s Lord of the Rings trilogy in the seminary library and started reading it. I think it affected my grades as I got lost in Middle Earth. I toured Narnia and other fantasy worlds. I have read George McDonald and John White and just about any other fiction author I could find. (Note: no offense intended, but this essay will pretty much ignore Christian romance novels.)

And I have written several Christian fantasy novels which I hope will be on the bookstore shelves near you in years-to-come. It is not an easy world to break into, but my mom thinks my novels are wonderful!

One of the common defenses of “The Shack” is that it is a work of Christian fiction and therefore should not be judged as harshly as theological works. Certainly, if you examine The Lion, The Witch and The Wardrobe, you will find some pretty suspect theology (ransom to Satan view of the atonement, etc). So, should the theological deficiencies of “The Shack” be excused because it is only a work of fiction?

A Synopsis of “The Shack”

“The Shack” is about a man, Mack, who had been abused as a child and whose young daughter has been murdered. He has become overwhelmed by a “Great Sadness” becoming angry and morose, withdrawn from the world and his family. He receives a note from “Papa” (a family name for God) inviting him to come to the shack where evidence of his daughter’s murder had been found. There, he encounters “Papa” the heavenly Father, who appears as a portly black woman who evokes Oprah Winfrey to me. Jesus is a Middle-Eastern carpenter who wears jeans and plaid shirts, and the Spirit is a wispy Asian woman named Sarayu (meaning wind). In the course of their discussions, they reveal truths to Mack that help him release his anger and restore his joy in life.

I do not know if Young intended to reflect the biblical narrative of Job, but the similarities are startling. Both Job and Mack are devastated by life’s circumstances and struggle with the goodness of God. However, they meet very different Gods in their distress and found very different solutions to their tragic circumstances.

The Theological Problems with “The Shack”

I do not really want to focus on this, but it is important to mention some of these. I am going to list these problems here. Then, in the next day or so, I will try to publish a more complete listing and explanation of these theological problems at my personal site, http://thistentsjustright.blogspot.com. But here, it will simply suffice to list the problems.

1) The Shack presents a God very different from the biblical God of glory and sovereign power. The smiling, wise-cracking woman of William Young’s fantasy seems foreign to every scripture in the Bible which presents God.

2) More specifically, The Shack’s God (goddess?) is absent of all the traits of holiness, glory, and sovereign authority that are fundamental to the biblical view of God.

3) The Shack presents a twisted view of authority, both divine authority and human. William Young does not seem able to conceptualize servant leadership in home, at church, or in the godhead. God rejects all authority and only seeks relationship. Likewise, we should reject all forms of authority and seek only equal relationships.

4) Because of this view of authority, Young rejects the biblical teaching of the Lordship of Christ. “Jesus is Lord” is the fundamental assertion of Christianity. The Jesus of the shack rejects the concept of Lordship and only seeks relationship – obedience is unnecessary and irrelevant.

5) The Shack has a flawed view of the atonement. Humans are not sinners, we have been broken by independence from God. We do not need atonement for sins, but simply a therapeutic restoration of our relationship with God, which will heal all brokenness.

6) The Shack has a flawed view of the sovereignty of God. He presents a boilerplate Arminian view of God’s sovereignty. God waits politely while humans make their choices. He never forces himself or anything else on us. Calvinists will not find much to like in this book. While I am no expert of Open Theism, I think that William Young would find little to disagree with if he studied the proponents of that viewpoint.

7) The Shack promotes universalism. Followers of God are found in all systems, “Buddhists or Mormons, Baptists or Muslims.”

This is just a sampling of the theological problems in this book. The list could go on. Now we must turn our attention to the question at hand. Does the fictional nature of “The Shack” make its theological problems less serious?

Types of Christian Fiction

I would categorize Christian fiction in the following ways (not exhaustive categories).

1) Realistic Christian Fiction – in which an attempt is made to present a fictional, but true-to-life story in which God works in people’s lives. While it is a movie, “Facing the Giants” may be the best illustration of this. The story is about God working with real people in the real world.

Truthfully, realistic Christian fiction has been pretty unrealistic. It does not often deal with the real issues of people’s hearts (lust, greed, violence, etc) and is often guilty of giving simplistic solutions to complex problems.

2) Foundational Christian Fiction – in which books are written from a Christian world view, but are not intended to promote doctrine or biblical principles. “The Lord of the Rings” is a great example of this. It has an underlying sense of Providence and the victory of good over evil, but there is no attempt to teach Christian doctrine.

Books like this are not held to a strict theological standard. C.S. Lewis made a point to ask people not to judge the theology of his books or to look for allegories amongst the characters. Is Aslan a Christ-figure? Almost certainly. But his story is not meant to accurately portray the biblical view of the atonement.

Books like this are meant to be enjoyed, not theologically analyzed.

3) Allegorical Fiction – in which biblical truths are illustrated by fictional characters and events. Bunyan’s “Pilgrim’s Progress” is the gold standard of allegorical fiction. John White’s “Anthropos” series (Tower of Geburah, et al) is in this genre as well.

Since the distinct purpose of allegory is to communicate truth, allegorical fiction should be judged to a higher standard of theological analysis than foundational fiction, in my opinion.

4) Didactic Fiction – in which fictional experiences are used to teach biblical or theological truths. The “Left Behind” series (love them or hate them) would qualify as didactic fiction. Interwoven in the story are sermons which are the spiritual point of the books.

The purpose of didactic fiction is to teach truth within the confines of the story. So, the highest level of theological analysis applies to didactic fiction.

It is clear to me that “The Shack” is didactic fiction. The story is told beginning and end, but the bulk of the book is this lengthy discussion between Mack, Papa, Jesus and Sarayu. The story is fictional, though one has to wonder how much of the hurt comes out of William Young’s personal life. But the point of the book is the truth spoken by the three members of the Trinity to help Mack find healing from his personal problems.

Shall We Accept “The Shack” as Fiction?

Here is my judgment, with which many will disagree. “The Shack” is well-written and interesting, but its theological problems are simply too many to pass by lightly. And the argument that the shack is meant only as fiction simply cannot hold water. It would be like saying that LaHaye and Jenkins are only writing futuristic fantasy. “The Shack” has a message to communicate, and while the story is fictional, the message is presented as theological truth.

As fiction, “The Shack” is riveting. But as theology, it is dangerous. Whether it should be sold at Lifeway Stores or in other Christian bookstores is not for me to decide.

Frankly, I learned a lot from reading the book and there were some good insights. But there is too much toxic theology in the middle there for me to give it a blanket recommendation. It is a great read and is thought provoking. It also, in my opinion, strays dangerously close to the line of heresy in several places.

I removed it from my church library, because too many people think every book on the shelves there can be trusted completely. However, I think it might be a very interesting book for a theological discussion group or among the theologically astute. It is such a good example of bad theology that it could lead to powerful discussion.